this man cant currently be stopped. following his releases through the 2nd season 2009 (>marvin” on compost, >smaul 06< & >smaul 07<) in january 2010 acid paulis >riverboat tour< came out. now, it seems he opens this years summer season with these two psychedelic thrilling tracks. even though he had been touring a lot with the notwist last year, acid pauli was pretty often an invited, musically refreshing guest in berlins minimal techno (what ever) scene. den mahlstrom rauf leaves no doubts about. great build up he does by keeping tension over five minutes to unlash finally the madness charge with a levitating reverse-ducking-compressed melody. den mahlstrom runter (a play on words of travelling on a boat and getting milled…) seems to be the return from the trip he gives on side a. it is the same track reworked. his musical drama goes faster but deeper under the cortex – but >how lucky a fate< deliverance comes at right time taking the track over to a known housy and deep realm.

queen atom is back on serialism following on from the success of his recent >refuse greed< ep on dumb unit. blu samba confirms queen atoms talents to make dancefloors sashay to his beat and is strengthened with remixes from two highly rated artists who we welcome with open arms to serialism, ahmet sisman and seuil. coka zero has elaborate percussions and an elegant beat, while perlon-esque sounds melt right into the landscape, a beautiful master melody often wakes up bringing everything to a complete harmony. a driving groove with playful drum patterns and jazz elements really showcasing queen atoms production talents that have been demanding attention from his dumb unit releases and live performances around the world, most notably at watergate and city fox. fix ur mama is a very analog-sounding techno affair with that oscillating bass guiding the tune all the way through, with delicate percussions tempting and teasing us and filling all the interesting spaces. a deep track that forces us to move. coka zero gets remixed by ahmet sisman. as we all know, ahmet sisman brings a totally fresh and unrepenting take on all things house and techno! the groove in his remix is just a purely coherent rhythm, complemented by techy hihats and delayed vocals taking us deep and sexy breathy, fresh and groovy!. a track to cause serious damage! ahmets take will shake any building to its foundations with his unapologetic bomb! seuil then comes in with his own edit in his unique and elegant style that has been gathering followers from all corners of the globe. the drive and propulsive groove is there whilst he experiments with jazz keys off setting the original elements that are still in tact. as would be expected from this artist at the top of his game, his remix is sublime production with hints of romance, deep elements all playing around a beautiful groove. seuil bringing a masterful debut remix for serialism! a fabulous package from serialism!

its still like that: even though digital is everywhere there is still something very special about having your own tracks on a vinyl release. so this is it again: the very best of the last releases on koletzki_s sublabel stil vor talent digital on a double-sided vinyl edition. starting off with two tracks by bruch & junior that couldnt be more different: while >fiesta de la residencia< sounds like somebody threw some spanish vocals and trumpets into a pool of tech-house beats and basslines at a maniac afterhour on the white island (ergo: great),>sunset< is the deeply euphoric sound for the morning after. the synthesizers so crisp and all around you, the beat and bassline so warm and seductive: this is purely magical music that will make you forget when the sun went down or up the last time while still making you want to shake your legs to the strong bassline and chunky loop. hit! on the flip then comes a re-work of a massive hit on stil vor talent: a 2010 version of nicones >una rosa< complete with the original spanish vocals, but a much more grooving loop that turns into an absolute percussion fest. claps turn into effects and we all raise our hands to those reverbed original vocals. last up australian murat kilic with the wonderfully oldskool house anthem >summer traffic<: great melodic pads, a superbly harmonic bassline and when the breakdown kicks in, an ever-indulging xylophon melody. this whole record has got summer written all over it and helps us all get through this icy winter.

the spaniard manuel fernandez llorente had a classical musical upbringing, studying at the music conservatorium in madrid. he has been composing and producing electronic music since 1996, not only releasing on his own label >7noise< but more importantly also being licensed for various major compilations. now he is releasing his first tracks on highgrade records. at first, >addiction< unspectacularly plods on towards house heaven, but then the sparse vocals and timeless organ sounds give you a warm and soft electro shock. the first track on the b side >the gull< shows off prompts talents as a composer. a very discreet melody blankets the straight beat, taking away the coldness of the bass. a beautiful dream track that should never really end. >mechanic< brings it home and is right in your face, a journey into minimal techno country, where you meet the sound ghosts that prompt has summoned. a single drum beat here, a voice there and a now and again a sound shred that are all meticulously arranged to make the perfect atmosphere.

the answer is the freaksound...!!! superlovers is spoken by one of the freaksound labelheads, mr. junior freak himself. this track should reflect the spirit of the dj & label community www.freaksound.at this massive electro house tune has a monster break for raising hands on the dancefloor and an unmistakeable message for every party freak around our planet. new way shows the deeper, but not too minimal side of junior freak. very warm and atmospheric sounds with a drastic melody break that should never ends providing a special pleasure for fine selected electronic ears.

third poco label ep. a sweet and charming melody, created by the excellent jazz musician martin leiton, is the seed of this release in which oscarfly & zippticher make a beautiful display to a tremendous track. this release has been conceived and nourishes to marvel the audience with its excellent production and arrangement. this ep comes with two remixes. first one from yostek, an wellknown israeli producer, who gets a good techno version and second one from oscarfly, betting on a careful groovy and cheerful track.

hyperdub has long been a fan of grime don terror danjahs razor sharp productions, his unparalleled, skittering rhythm science, deadly riffs, brilliant technicolour synth squiggles, gremlin cackle signature and general ear for a catchy tune. on this first ep for the label, he showcase two strains of his many skills. acid cranks up the energy, with an ascending synth crashing into stuttering drums and synths. they play hide and seek with each other for a bit, before the track unexpectedly breaks into a 4 / 4 house rhythm, and then shatters into pieces again. on the flipside, pro plus, terror is joined by long time collaborator d.o.k for a slice of their classic sound - an infectious, twisted sickly sweet synth melody wrapped around syncopated, stop start drums to mean effect.

treated with love by ellen allien, josh wink, laurent garnier, robag wruhme, mathias kaden, adultnapper, butane, donk boys, falko brocksieper, james teej, nick höppner, the cheapers, mr.statik, sonja moonear, vincent lemieux... music with its seven notes, coming back to its first one at the octave: simple, limitless and ad infinitum. this is the next clever coup from zurich.
>ave leo< is an homage to life. the three guys from pompelmoessap lay it on thick and dally over a tenderly melting melody, skillfully play with shakers, drum cuts and low deep down effects. evoking a conjuring atmosphere that gets under your skin. the groove is right. the sun rises, early in the morning at the club.
on the b-side you will find a collectible, an everlasting trip of melancholic club couch music with bob dylans cultural message from the 70ies. ion ludwig looks at >spiritual devil< as a kind of protest against all those 2d digitally recycled techhouse sounds, which are released every day en masse. here plays timeless music for connoisseurs who want to feel and think while listening. smoke some weed before listening. peace.

played by claude von stroke, timo maas, luciano, livio & roby, mihalis safras, d julz, hosh! after his huge success of the summer that was >trumpets victory< only 19-year old kiddo david august is back on stil vor talent with his second ep: sweden roof. sweden roof is also the title track on this two-track ep that is about the funkiness of house music and the glorious moments of melodies. a cut up vocal sample dominates the groove until we can hear why david august is more than a producer, but a musician after all. the great organ melody will have whole floors swinging along to this monster of musical raffinesse. this sound is like crack, once you try, you want more of it. now! and luckily there is. feeding our addiction on the flip is soul kitchen, an even more organic piece of tech-house-niceness. clap snares, pianos, a deep male vocal sample and equally as much sex appeal as dancing at the carnival in rio. this is soulful house music and it doesnt get any better. these two new tracks show that david august is no one hit wonder. >sweden roof< proves how deeply david seems to be in touch with house music - and the dancefloor.

brand new edits series from the record pool. feat some very rare cuts from eskimo artists slight delay. to be filed under re edits

italian club bang based on a catchy melody!!

csm godfather john selway drops his first solo production on his home imprint since 2004. as his production schedule heats up, so does csm. ocean before me graces the a side with a deep ride through techno and house, complete with tribal rhythmic feel and uplifting strings. selways sound continues to evolve, but his central foundation of thick cadence and expansive melody always shines through.the b side features producer extraordinaire paul brtschitschs remix. paul sheds the strings, beefs up the bottom end, and adds his own melodic touches presenting an interpretation of ocean before me just as large but focused through his own

incredible deephouse track with a lot of energy. minimalized bassline is giving it a masculine drive and the lush melody is very lively giving the track a loose feel and nice build up. comes with one of those well crafted mark e remixes with that driving slow house beats and measured and steady build ups. after fa016 another strong fine art release! limited to 300 copies.

after the success of >mostro<, the french wonderboy play paul - mainly known for his works on kitsune, gigolo (>lalaland<) and craft music - is back on absolut freak records with >9am<. the ep starts with a massive remix by the german sensations disco trash music (freshly signed on the label) which will smash your head, until the break... everybody say yeah! back side, the most exciting turkish band gooseflesh is also back on absolut freak (after their remix of dro & lodzys >now yet now< on the af13) with a powerful version in their own style. a killer! then, the original version by play paul takes you to a lovely journey, with a warm melody for melancholic mornings. you can enjoy the artwork made by the incredible falk klemm from the german collective the zonders. get freak!

rinse fms breakfast show host, dva is a producer with a unique take on the uk funky bug, blending the stiff 8-bar funk of grime with a super-supple rhythmic sensibility, sewing neon colours with a laid back precision into his tracks. >natty< is a prime example, drums stagger like they are about to topple over, squelchy bass synths lock together a tough tribal drum pattern, liquid metal trickles around in the mix, and these contrasting elements react with explosive results on the dancefloor. on >ganja<, a cartoonish ring-tone-friendly synth melody worms its way around tight soca-esque drums and housey organ stabs. factor in the depth-charge 808 subs, steel drums and sparingly used ragga chat and you ve got a technicolour hyperdub debut fresh for 2010.

nice price deal !!! support by : heiko laux, karotte, sasse, luke slater, benno blome, chloe, anthony collins, andrew grant, daniel fx, smacs ... martin wörners limited edition of his own imrpint inclusion records is proud to welcome an old friend to the artist roster: steffen nehrig. monza club resident and dirt crew recordings artist steffen nehrig is going to release on inclusion ltd an absolutely real whiz kid, which might fit perfectly into every artist dj-set. with its deepness and an unbelievable noisy synthesizer the track comes groovy from below before it opens up in a light and fine played melody. the b-side is coming up with a hiqh quality worked reinterpretation of the original, by berlin based alex krüger under his alias tigerskin.

the second half of the great lengths remixes package offers 3 more vividly contrasting interpretations of album tracks. almost a year on from the release of his debut album >one< and with >saviour of techno< plaudits still bouncing off concrete walls, berghain lynchpin ben klock turns in a remix of is this insanity that distills everything inspirational about both the club and city he calls home. spaceapes cracked vocal is welded to a sort of cavernous piston driven groove while traces of the originals melody fractured into the briefest of shards fight their way to the surface only to sink back into the percussive smog. located well outside of the heavily scrutinised uk hype centres, manchesters rising star illum sphere continues to hone his already distinct sound on the flipsides brilliant orange reworking. a clanking off kilter groove rubs up against an extended mutation of the original melody that pushes the track towards a poignant climax, evoking all the ache of reaching for the stars and landing squarely on ones face.

excellent sampler release on important hardcore!this vinyl presents four kickin hardcore tunes produced by several rising german hardcore stars which are all regurlarly playing on the biggest hardcore events in & outside germany.the a-side offers two slammin mainstream hardcore tracks produced by gigi & fallout, co-produced by giant, both track rock like h*ll, phat bassdrums, cool edits and catchy melody lines do the job perfectly!the flip side offers two, more raw tracks by d-ceptor and giant. distorted kicks, filthy noises and cool samples show their harder view on hardcore!superb release which is brought in a limited edition (no re-presses!) so grab your stock quickly!!

>fall into me< finally marks the release of the last and keenly awaited single from jay haze aka fuckponys masterpiece >let the love flow<. the album title says it all - >fall into me< sounds incredibly light, yet catchy and full of energy - a free fall onto the worlds softest pillow. this is how house must sound to lovers. house with soul can be taken literally in this case, as jay has called upon the expert support of laila tov and chela simone. the latterenjoys an international standing and has already lent her sublime, very unique voice to kikis hit single >good voodoo<. here she combines inextricably with jays compact sound aesthetic and makes >fall into me< positively shine.with its atmospheric intro and broad musical range, the original on the a-side sees a welcome reappearance of certain must-have features which will have the hairs on your neck standing up... the accompanying video was shotby emmy nominee daniel michael gahr with chela simone and laila tov in the woods of san francisco.
marco passarani has done the honours on the flip side. a workaholic from the eternal city of rome, marco is the linchpin of the italian techno scene. he produces under the aliases js pool, monomorph and ambit 3 for the labels skam, hymen, clone and peacefrog, and also runs his own labels plasmek, pigna and nature records marcos >fall into me< remix is unmistakably influenced by hiscarefully nurtured detroit roots. however, he employs these stylistic elements very discreetly, retains beats, melody and vocals in his arrangement, takes out a little of the decorative padding from the album, then finally hits us with a wonderful, trancey eight-tone sequence to send us into the realm of dancefloor dreams for ever.

very sweet, latin fused house track with a beautiful accoustic guitar melody and blaze like vocal harmonies!

travelling the world with the cream of the toolroom roster, toolroom knights resident dj pete griffiths now has his sights set firmly on the studio. fresh from the success of his remix of matt samuels >enjoy the silence<, toolrooms rising star pete griffiths delivers a superb debut single >speak the secret< for the label, featuring the vocal talents of the delicate yet formidable neve.
a strong contender for one of this years true anthems, >speak the secret< has a magnetic quality with a progressive melody that captivates inside the first minute. the perfectly formed bassline, sweeping intro and lamenting main riff all interconnect to create something truly transcendental, leaving neves mesmerising vocals locked in your mind for hours.
the release package also includes remixes from some of the worlds finest dj/producers including, tocadisco, thomas gold & esquire, each delivering their own take on the original to cater to all floors.
early support on the release comes from a host of a list names including axwell, mark knight, david guetta, steve angello, pete tong & more ...

100% pure is amsterdams longest running techno label, co-founded in 1993 by dylan hermelijn aka 2000 and one & sandy huner and now run solely by dylan.
for 100% pures 57th release we welcome back amsterdams talented techno duo – gimikk, aka daniel mumbling sanchez and e-contact (eelco augustijn).
accomplish sickness is a masterful mix of dirty scraping techno treats propelled by catchy muted djembe rhythms and surprising vocal snippets. you are going to love this infectious melody – it wont make you sick but you will be dying to dance to it.
while on the flip you will find paco osuna taken time out of his dj residency at barcelonas club4 to produce this thumpingly clever remix thats (100%) pure dancefloor.

supported by: tiefschwarz, josh wink, karotte, robert dietz, solomun, miss jools, lauhaus, nick curly, gorge, ray okpara, luca bachetti, anthony collins, marc romboy …
after their great success of >1999< in 2008 audiofly release their new 2 tracker right before christmas and as a perfect ending of 2009. >formula juan< is a functional techhouse track for the peak time. >salioelsol< on the flip is based on a catchy marimba melody on top of a warm bassline and groove. merry christmas and a happy new year!

spirit catcher is becoming more and more a permanent member of the systematic family. after their debut e.p. last year and their contribution to the >5ysyst< project last summer, these three tracks are their latest productions on my systematic imprint. something which always impresses me a lot is how jean and tom continue todevelop their distinctive spirit catcher sound, no matter if they release on 20:20 vision, nrk, moodmusic or elsewhere. its always an awesome mixture of fluffy driving house beats, a portion of deepest darkness and freshhypnotic sounds figures! i love the way how they do install the dark organ melody at >sedona<. the organ soundspretty outta space and lets me float away once i have closed my eyes. also, the mystic mood at >future fools<generates me a goose skin, every time i hear it. (marc romboy)

progressive house / deep trance! incl. eniac remix. when hearing >how long is now<, you are immediately taken into a tepid ibiza summernight. on top of that, none the less than infamous eniac is completing the package with a very strong remix. eniac is the mastermind for many big productions like tom novy vs eniac >superstar< or tomkrafts uk number 1 hit >loneliness<. let the melody get deep in your heart and mind!

gem001 is egberts -dezelfde weg ep-. secret cinema has been dropping it regularly and the crowd response has been amazing! side a is a hypnotic melody driven techno slammer titled >dezelfde weg<. on the flipside is a deeper darker track called >vette sounds< with creepy yet commanding synths over a pounding bassline driven groove. this track has also received the secret cinema remix treatment to brilliant effect!

strong peaktime monster incl remixes by mark broom and steve mac !! new international collaboration of the the factorias s mastermind with greatest wordlwide swedish duo. wally lopez and johan & john from zoo brazil have produced planetaria a powerful and dancefloor burner that combines an underground rhythm with electric melody. it is not enough , the remixes by steve mac, well-knowed for his releases at cr2, toolroom, big love, saved, smack, etc ..and mark broom remix, probably man of the moment, also known after the success of his remix of wally lopez wideband published at formula recs & jesus love you ....listen and enjoy this powerfull release!!

constant development in stagnating musical landscapes is the key to remain catchy as an artist these days. adrian martin & eleminal are always yearning for progress. >la calma<, their new release on miniload gives you a listen on their growing sophistication. an adroit beat conduction married to a sneaky bass giving birth to a tremendous and powerful musical moment, peppered with hidden hooks and a savory break. >la calma< is smoother than previous releases by adrian & eleminal without condemning a certain roughness of preceding collaborations. tom clark (highgrade records) follows that footprint, though adding a more frontal bass paired with a dreamy almost breathed on jazzy feel melody construction. miniload artists doppelt gemoppelt are redefining >la calma< in a straighter harmonization. no vanilla - just a clear and well structured body, adding cushy noises and warm imbedded waves.

yc‘s adultnapper has built a reputation for himself that not only commands respect for his highly evolved production skills, but also for his unique musical visions that steer him down his own unique path. not interested in following the current pop-trends, adultnapper turns in a freaky two tracker using a sharp, modular and timeless electronic sound palette. ‚almost nothing‘ is a complex and reduced spacer that features wonderfully processed drums and endless tweaked out studio trickery. haunting smatterings of melody, synth texture and paranoid-funky vocals drop in and out of the mix as this deep acidic groover charms you from the inside. poker flat regular patrick chardronnet provides a wicked remix that begins along the same reduced, textural tip as the original, yet builds into a breathtaking organ led harmonic climax. dramatic, uplifting and main-room friendly chardronnet‘s remix opens up the spectrum once again as audiomatique continues to surprise. ‚white fingers black hair‘ is the b side jam from adultnapper. a skipping, similarly complex and meandering groove is jacked up with some dirty hats and a playful synth theme that revolves around the track, amongst building strings and gated snares as its freaky climax is unveiled. super, off the wall stuff from nyc‘s chief mindwaper himself

beautiful vocal house with a seducing melody and soulful instrumentation. the remixes on this 2x12inch dont hurt either with a little something for everyone, ranging from the broken beat savvy speakeasy rmx to the deep intoxicating crazy penis (paper) rework, and the solid playful meanderings of new yorks onda.

next up on eglo records after the hugely successful vacuum ep by floating points its the debut release of west londons stevie j aka funkineven 1956, featuring hackneys new queen of funk & soul, fatima on vocal duties. 1xtras benji b has already been going mad over it, and the track is slowly building a reputation at a number londons underground jams and warehouse parties. sonically it occupies a similar stratosphere to dam funk, sa ra, bugz in the atitic, dorian concept, joker etc, but with a west london twist and deeply crafted vocal melody.

session victim - berlin/hamburg based duo of hauke freer and matthias reiling - return with the next installment in real soons occasional limited edition series. the late runner ep follows two well received real soon releases - session victims no friends ep (2008) and hauke freers my beat 12inch (2007). the four tracks here continue session victims exploration into their distinctive brand of low key tech/house minimalism - their productions combine a confident timeless simplicity with a subtle attention to detail & texture and a clever ear for melody. as well as real soon, session victim have previous releases on hairy claw and their own recently launched label retreat.

sebo ks last release on mobilee, diva, was a hit, and one of mobilees most popular tracks in 2008. since then hes primarily stayed under the radar, popping up only momentarily to release a track on cecille in july of 2009. with his new release spirits, sebo returns not only to mobilee but also to the sonic tropes that propelled him to success in the first place. undulating melodics that stretch like rubber bands, a funky bass line, and a jacking house beat: within the first few seconds of hearing spirits one immediately recognizes the slew of sounds with which sebo k made his name. the track takes its time to build as well, riding the groove for a bit before bringing a singular, high pitched note into the picture. as it continually gains momentum and rises in intensity, the captivating sounds of a piano arrive, adding yet another layer of familiar and hypnotic melody. all the tracks components merge seamlessly, with percussive accents here and there until staccato strings make a dramatic entrance, fluttering and dialogue with the rest of the tracks components. by the end of the track, the piano has gotten back in the drivers seat, steering the track along it s course. the drum version builds off the vintage house sounds of the a-side but substitutes extensive percussion from max moya for the strings and piano

ophidian has added his magic to lenny dees classic release? forgotten moments. ophidans 10 min remix features spinetingling orchestral intro, live violin solo, upfront kick drums & female vocals. the original track is included, with that recognizable breakdown & melody. ophidians dj cut is a shorter version perfect for djs.

smaul recordings should not be suggestive of being fed by productions of acid pauli, only. however, creative times need being used and martin gretschmann - aka console - member of the notwist - alias acid pauli has collected lots of material whilst the scarce time left last year. on smaul 07 he follows his self-weaved red thread of the year. acid pauli confides more & more in a certain house rhythm paired with these melancholic layered sound-synthesis, already well known by him. astonishing things emerge out of acid paulis musical waves, sometimes even scientially croon quite a bit. nymbiotic (a) comes relaxed but holds a great melody up in the sleeve - seasonly peppered. symbiotic (b) rests bit on minimal house, but acid pauli never relied on that genre. thus, this track does not remain as it seems after three minutes. glitches and sounds break it up to evolve a new symbiosis. symbiotic becomes more timeless in spite of siren-climax peaks and an obsessive string chorus fading in the end.

tokyos kez yms follow up to his maiden yore ep, city soul, opts for a more pronounced party vibe, as evidenced by the plenitude of voices that repeatedly pop up during butterflys four deep house tracks. the material sounds of japanese producer kazuki yamaguchi puts a clubby spirit to this ep. propelled by a beautifully warm and soulful bass pulse, inner city funk grooves mightily for five blissful minutes, its rhythm bolstered by the crisp snap of the snare, the funky wah wah of an electric guitar, and the occasional interjection of a synthesizer melody. bridge to bridge quickly charts its own percolating course with the addition of a stepping disco house pulse and a male voices sleepy, off handed musings. bringing the lights down for a romantic make-out session, the sexy low tide chills the pace slightly so that spent dancers can catch their breath and replenish themselves before the next go-round. of the four tracks, the title cut grooves most powerfully in merging a rambunctious broken beat drum attack with an equally driving bass line and manic electric guitar soloing. play these jams loud.

throughout the life of bbe very few djs have left a long last impression on our ethos - real music for real people. vincent williams is one of a few active djs today whose versatility and all round knowledge covers so much ground.

time for the next various artists ep introducing 3 upcoming producers to the scene. from italy comes guiseppe cennamo with a powerful deep/techhouse track building a great athmosphere in the club. greeck guy bengoa delivers a really warm building up deephouse track with a nice vocal line by julie naked showing the coolness of sunny greece at least mr. carlos sanchez & dj ray from gran canaria! like is based on a deep organ bassline building up to an amazing break with a catchy melody. listened once, you wont get this track out of your ears

the first release on phonica white limited series is from tokyos iori. this young producers impressive work ranges from woozy ambient electronics to full-on club tracks. the common thread is a highly developed sense of texture and arrangement.a-side galaxy is simply lean, expertly crafted techno, led by a rolling bassline and crisp hi-hats, with hypnotic melody patterns skittering off the surface. its a trippy but accessible heads-down affair that has the depth and the bite to do damage at peak-time and in the after-hours alike. urge on the flipside is an even deeper, sub-heavy cut, an insistent, club-friendly groove swathed in burbling synth arpeggios and fx. despite being stripped-back, the sound design and sheer warmth of the production is incredible. the track really breathes.

the second installment in the split lp series is a dutch affair, but it has everything it needs and more to soon make name far abroad. each side of the record contains a complete work clocking in at about twenty minutes.
side a is >chime ep< by hydrus. the four tracks they contributed stand out because of their meticulous production and their wonderful sense of melody and emotion. this is music in the best electronic tradition, blending hiphop, idm, ambient, funk, drone and badass breaks. hydrus begins this twenty-minute journey with a funky bump and end it in a mess of nervous percussion, splintered to dust.
side b is an altogether positive and quirky piece of work by kettel. like most of his work of the last few years, >yellow baron< is exploding with beautiful melody. in six tracks kettel puts everything to work to make your head bop, to bring a smile to your face and a tear to the corner of your eye. classic stuff, without losing sense of experiment.

mike minds only previous release, >acid machine<, has been tigas most played record since it was made. a full-time turbo employee, he has spent the past few years getting his brain around making techno, and continues to impress us with his output. his debut ep, >resonate<, is something of a departure for our label, and one we are very proud of.
its amazing to have this kind of music coming directly out of turbo hq, it nails a sound that we have always tried to cultivate. minimal without being boring, trippy without being predictable, unafraid of melody, and with just enough analog imperfection and warmth to it.
both of the remixers we chose represent different sounds in techno that have influenced mikes sound.
1: sophisticated italian groove*
giorgio gigli is an italian minimal-trance maestro, an incredibly modern renaissance man who is also a trained sommelier.** he is rising in the ranks and catching up in profile to his occasional production partner, donato dozzy. hopefully we will have more of his tracks on turbo soon.
2: m¦n¦m¦l
hobo is a fellow canadian best known for his excellent work on m¦nus. rumor has it, he borrowed richies quad-macro template file to finish the final version of this remix... whatever he did, his second effort came up huge, this mix is excellent.
enjoy!
thomas von party
* i have to include the word groove in every turbo onesheet i write, its either that or washing my hands constantly.
** true! go to turborecordings.com/sommelier to see giorgios chart pairing ten tracks
also: check out part 1 with a stunning kebacid (jesper dahlback & jori hulkkonen) remix

mike minds only previous release, >acid machine<, has been tigas most played record since it was made. a full-time turbo employee, he has spent the past few years getting his brain around making techno, and continues to impress us with his output. his debut ep, >resonate<, is something of a departure for our label, and one we are very proud of.
its amazing to have this kind of music coming directly out of turbo hq, it nails a sound that we have always tried to cultivate. minimal without being boring, trippy without being predictable, unafraid of melody, and with just enough analog imperfection and warmth to it.
kebacid is the production alias for turbo all-stars jesper dahlbäck and jori hulkkonen. their previous releases on jespers defunct blank ltd are some of the best acid tracks of the decade. this is a monster that ought to keep all the die-hard turbo fans happy.
enjoy!
thomas von party

also: check out part 2 with remixes by giorgio gigli & hobo (minus)

dutch dj & producer jazper has set a step into a new direction together with jules from romania. jules known for his digital nature alias and jazper known for his trance and progressive productions together with misja helsloot. following their last release on be yourself, they now present pitching pigeon for baroques sister label method... techy rumbling beats & a slick melody, courtesy of the more bells mix... make this a djs must have!

how many years was it being said house music couldnt last? yet, in spite of all, it keeps reinventing itself again and again, and here is the perfect example. slavakis latest output is a true house track with deep atmosphere, straight-to-the point message, and classic chicago feel, bringing back the times when records were few and far between and not every two sounded the same. this one has it all - the melody that speaks to your soul, the beat that defines the rhythm of your heart, and the message that makes us all come together. having already found its way to ra charts and being supported by some of the greatest djs worldwide, please welcome this outstanding release from elusive rec., who proudly set themselves on the mission to make this music art again.

this new collaboration between two of cadenzas finest talents makes its official debut on mobilee with black shoes, a cut that pops, crackles, and snaps like youd never believe. dance floor ready yet unwilling to sacrifice an explicit focus on the details, black shoes pulsates with bass while suggesting a kind of lightness as whispered and fragmented voices hiss and murmur in the background. the melodics, which give off the feel of being in constant flux, provide a nice contrast to the intensely regularized bass drum while simultaneously meshing with the popping percussion that guide the track along its course. breakdowns filled with the sounds of static and 8-bit provide a nice experimental touch to this track that works equally well as a late-night romp as it does on the headphones. b-side speech also gives off a stuttered feel but is even more blippy and fragmented than its counterpart while migrating towards a more jacking vibe. brito and toro compliment this fractured sound with extensive use of vocal samples—both spoken and sung—that, while incomprehensible, lock in seamlessly with the overall feel of the track. melody here references both vintage sounds and traditional minimalism with the end result being a fusion of the two that is truly extraordinary.

hakim murphy has been on a roll these past couple of years. he is on a roll and on a mission to take the chicago house music he loves into the future in the hakim style, staying true to the jack, groove, and feeling of chicago while at the same time exploring new territory and his own inner space. after his last ep on metamorphic, wiggles, hakim has gone on to produce a string of releases on labels such as his own synapsis records and remixes including a stunning reinterpretation of the classic welcome to chicago by future forward feat. john simmons. now we are again proud to present a flollow up ep from hakim called black robots having sex with a very special remix by metro areas morgan geist! this 4 track ep shows hakim at his best covering the full range of his personality, deep melodies, jacking rhythms, and sexy funky robotics. morgans remix of jupiter poop is stripped down, thick and warm, focusing on the subtle pulsating sub bass of the original with teases of shimmering melody and solid crisp percussion throughout..

one more time o.ton kick it loud with this second ep !! keep it easy! weve asked to robber and bandit to make us dance. those two young belgian dj and producer make it heavy and ravey !!! with various influences they give the tone : trancey bassline, heavy break and loud minimal techno producing stuff. a side is an amazing short track called rusian panther : mixing ravey melody big infrasound techno beats and breaked rhythms .the second one battleship mendoza is « the » real peaktime bombing track, just listen ! on the aa side : chilling session on the dancefloor but with a perfect gimmick that one keep us alive

belgian producers sierra sam & marcus vector return to their house-oriented project d.i.y. (dumb irresponsible youth) for three more sly, sexy groovers, with contributions from dop, big bully and markus fix.
while sam and marcus are generally known for their more techno-focused productions, last years house tools vol. 1 was a minor hit, with tracks included in ellen alliens resident advisor podcast, jay hazes recent fabric47 mix cd, and m.a.n.d.y.s charts. since then, they ve kept busy with their own toys for boys label, meanwhile sierra sam has co-produced the debut album by bloody mary on contexterrior.
still, they ve found the time to crank out these new elegant-yet-sleazy cuts, and while vol. 1 was purely instrumental, for vol. 2 they ve roped in some guest vocalists. first up is their collab with comrades dop (circus company, eklo, supplement facts). >kilimanjaro< features d.i.y.s tribal bounce combined with dops seedy, trent reznor-on-opiates vocal delivery.
the flipside has two versions of >suck my caulk<: d.i.y.s original elevates thelevel of melody and sunshine, weaving in the voice of big bully (known forhis work on spectral, get physical and vakant). markus fix of cecille offers his own interpretation, bringing the track down into deep house territory. placed in the right hands, these tools can do some serious dancefloor damage!

nosferatu delivers a slamming release on enzyme records. this record contains 3 solo tracks by nosferatu and a collaboration between nosferatu & mad dog (traxtorm records). lack of existence is a melodic track which has been played by all the top jocks the last months. a huge floor filler with a great melody. its great to hear the personal elements of both producers in this track. intimidation is an energetic track with cool vocals and a very effective riff. bloodlust is the second melodic track on this release. nosferatu asked nikkita to record some vocals for this track. the result is a massive mainstream hardcore track with an amazing melody! this track is also heavily supported by many djs. the last track on this release is the original wolves of creation. a very slow, bumpy track with funny vocals and an amazing drive!